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Design Notes

Specific decisions traced from pressure to resolution. Why did the language arrive at a particular form? What alternatives were considered? What does the choice reveal about the design space?

This section is being built progressively as decisions are documented.


Why tofeka

See Knowledge & claims for the full treatment — the epistemic pipeline, the tofeka / tofeki distinction, Popper's demarcation criterion, and how Tonesu's grammar makes fallacies structurally visible.


The s- family density

Of the 17 consonant families, s- is the only one with 4 of 5 vowel slots filled as primitives: se (perception), si (signal), so (sound), su (structure). All four land in the perception-information space.

This is not accidental — it reflects an early design decision to give the information domain rich internal differentiation. Where other families distinguish one or two degrees, the s- family distinguishes the full spectrum from raw sensation to structured form.

See notes/phonosemantic-map.md in the repository for the full consonant family analysis.


The vowel-register hypothesis

Every CV primitive can be read as {family-in-register} — the consonant is the ontological family; the vowel is the register of encounter. The five vowels map to the V-prefix scope modifiers:

Vowel Register
-a abstract / universal
-e emergent / forming
-i particular / precise
-o collective / distributed
-u interior / foundational

This is observed in the existing primitive set — not imposed on it. Whether it becomes a normative design rule is an open question.